β€œdon’t interact if you’re triggered by noncon” hey buddy how about you Don’t interact w me first? πŸ™ƒπŸ™ƒπŸ™ƒ

like. what? triggered by rape? how do u think that sounds in your bio other than like, kek, triggered yet snowflake? it’s rape! that’s not exactly a rare trigger! even when it’s not a trigger it’s still at least A Little Bit Awkward for most people! Why is that in your bio! why is that so intrinsic to your personality that it’s on your main blog! why the fuck! is that on your blog that you reblog just normal posts on! this is why sideblogs exist! i don’t want to be reblogged by someone with such a vague yet terrifying about statement! literally just get a sideblog if rape is such an integral part to your tumblr experience! if you feel the need to advertise that you write fucked up fics then get! a sideblog for that! and don’t reblog my posts to it! please and thank you! wtf!

heavensong:

You don’t have to understand asexuality or aromanticism (or bisexuality, pansexuality, being trans, noninary etc.)Β  Just acknowledge it, respect it, and move on. These are real live human people we’re talking about here, just be nice.

frogyell:

an unearthly child (1963)

[pic 1: a doctor who fan comic. susan foreman says “as a lesbian alien…”

pic 2: ian and barbara stare dumbfounded. there’s a floating “…”

pic 3: susan turns red, shouting “supporter!!!”

pic 4: susan, sweating, pulls out the fingerguns, says “as a completely normal human lesbian who supports lesbian aliensβ€””

pic 5: ian and barbara share a Look]

mswyrr:

favedump:

Mr. Rogers had an intentional manner of speaking to children, which his writers calledΒ β€œFreddish”. There were nine steps for translating into Freddish:Β 

  1. β€œState the idea you wish to express as clearly as possible, and in terms preschoolers can understand.” Example: It is dangerous to play in the street. ​​​​​​
  2. β€œRephrase in a positive manner,” as in It is good to play where it is safe.
  3. β€œRephrase the idea, bearing in mind that preschoolers cannot yet make subtle distinctions and need to be redirected to authorities they trust.” As in, β€œAsk your parents where it is safe to play.”
  4. β€œRephrase your idea to eliminate all elements that could be considered prescriptive, directive, or instructive.” In the example, that’d mean getting rid of β€œask”: Your parents will tell you where it is safe to play.
  5. β€œRephrase any element that suggests certainty.” That’d be β€œwill”: Your parents can tell you where it is safe to play.
  6. β€œRephrase your idea to eliminate any element that may not apply to all children.” Not all children know their parents, so: Your favorite grown-ups can tell you where it is safe to play.
  7. β€œAdd a simple motivational idea that gives preschoolers a reason to follow your advice.” Perhaps: Your favorite grown-ups can tell you where it is safe to play. It is good to listen to them.
  8. β€œRephrase your new statement, repeating the first step.” β€œGood” represents a value judgment, so: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them.
  9. β€œRephrase your idea a final time, relating it to some phase of development a preschooler can understand.” Maybe: Your favorite grown-ups can tell you where it is safe to play. It is important to try to listen to them, and listening is an important part of growing.

Mr. Rogers Had a Simple Set of Rules for Talking to ChildrenΒ – The Atlantic

Rogers brought this level of care and attention not just to granular
details and phrasings, but the bigger messages his show would send.
Hedda Sharapan, one of the staff members at Fred Rogers’s production
company, Family Communications, Inc., recalls Rogers once halted taping
of a show when a cast member told the puppet Henrietta Pussycat not to
cry; he interrupted shooting to make it clear that his show would never
suggest to children that they not cry.

In working on the show,
Rogers interacted extensively with academic researchers. Daniel R.
Anderson, a psychologist formerly at the University of Massachusetts who
worked as an advisor for the show, remembered a speaking trip to
Germany at which some members of an academic audience raised questions
about Rogers’s direct approach on television. They were concerned that
it could lead to false expectations from children of personal support
from a televised figure. Anderson was impressed with the depth of
Rogers’s reaction, and with the fact that he went back to production
carefully screening scripts for any hint of language that could confuse
children in that way.

In fact, Freddish and Rogers’s philosophy of
child development is actually derived from some of the leading
20th-century scholars of the subject. In the 1950s, Rogers, already well
known for a previous children’s TV program, was pursuing a graduate
degree at The Pittsburgh Theological Seminary when a teacher there
recommended he also study under the child-development expert Margaret
McFarland at the University of Pittsburgh. There he was exposed to the
theories of legendary faculty, including McFarland, Benjamin Spock, Erik
Erikson, and T. Berry Brazelton. Rogers learned the highest standards
in this emerging academic field, and he applied them to his program for
almost half a century.

This is one of the reasons Rogers was so
particular about the writing on his show. β€œI spent hours talking with
Fred and taking notes,” says Greenwald, β€œthen hours talking with
Margaret McFarland before I went off and wrote the scripts. Then Fred
made them better.” As simple as Mister Rogers’ Neighborhood looked and sounded, every detail in it was the product of a tremendously careful, academically-informed process.

cookie-sheet-toboggan:

what-even-is-thiss:

People talk about when straight cis people say things about queer people, but nobody ever told me what to do with the straight silenceβ„’.

Because I don’t get a lot of purposefully homophobic or transphobic things said to me. I get silence. I bring up an issue and all of a sudden the conversation ends right there. Dead stop. Silence. No comment. No laugh. No expression of discomfort, interest, or anger. No follow up question. Just blank face and silence.

Mention something about my transition that relates to the conversation? Silence. Bring up my cousin’s lesbian ex girlfriend? Silence. Bring up how demonetization is affecting queer YouTubers? Silence. Killed the conversation with a rainbow bullet. One shot to the head.

That’s all I’ve ever gotten. Silence. Did anyone tell me about gay people when I was a kid? No. Did I get my questions answered when I asked about cross dressers? No. Just silence. My entire life. No indication if people are for or against. It’s really starting to piss me off. You can’t continue the conversation? Say you don’t know? Drive us away from the topic? Say you’re uncomfortable or don’t understand? Anything? I’m not allowed to casually bring up queer stuff like any other topic? What?

I’m just sick of the silence. I truly am. I’m sick of just being met with silence. And this silence doesn’t happen with other queer people. It doesn’t. Even if it’s about a topic they know nothing about. Just straight cis people. They’re killing me with their silence. Why do they do that?

fucking mood

lmaonade:

you can talk shit and make jokes about minecraft all you want. you can pretend it wasn’t an iconic experience that changed the gaming industry as a whole forever, you can act like minecraft steve isn’t the pinnacle of raw sexual energy til the end of your days, but if you even for a second try and pretend the music in that game isn’t astronomically fantastic, i will completely eradicate you from the living realm

armeleia:

Reminders for the Anxious/Depressed Creatives

  • You’re more than what you make.
  • Your productivity does not determine your value.
  • It’s okay to do nothing sometimes.
  • Not everything you do has to result in a product.
  • Not everything you make has to be important, significant, or even good.
  • You can make things just for yourself.
  • You can keep secrets for yourself, whether it’s not posting some of your projects or not sharing your techniques.
  • You’re allowed to say no.
  • You’re allowed to rest.