toph might not actually know zuko has a scar, or where it’s from. it’s never specifically mentioned when she’s around, except i guess during the Ember Island play when a kid says β€œyour scar is on the wrong side”

clitcheese:

should uncle iroh be classed as a dilf or gilf. Discuss

wikipedia says he’s 65, which sounds like he’s on the cusp of gilfness. does anyone know the official dilf/gilf cutoff points. is it categorised by age alone or is it more like, a state of mind

quousque:

gotinterest:

snime:

atla has the clearest demonstration of the emo/goth dichotomy of any piece of modern media, i think. we as an audience know that zuko and mai shouldn’t have ended up together, and this is because zuko (an emo) and mai (a goth) are so fundamentally different. in this essay, i will address th

While it is tempting to categorize Zuko as an emo, careful analysis reveals that he is actually a punk. While his constant angst is a symptom of an emo like nature, his lust for justice/ honor, his angry outbursts, and his teenage rebellion are far more in line with the subculture of punk. In my response, I will address th

Attempts by previous scholars to solidly categorize Zuko into either the emo or punk category are doomed to failure because they presuppose a sub-cultural dichotomy where none exists (though I do not debate that Mai is 100% goth). Instead, Zuko inhabits the emo-punk spectrum, with occasional forays into Fucking Nerd. Zuko’s character arc in ATLA can, in fact, be analyzed as the evolution of an Emo into a Punk through personal and external acceptance and love. In my analysis, I will explain how Zuko’s hair is symbolic of th